從「靈視、幻象與潛意識流」—探討彩墨超現實畫風的符號、象徵與意涵
摘要
The earth that human lives on is the vital platform for cultural interchange, and an ideal interface for artistic inference. In general, the exploration of “itself” derives from “maternal culture”, is closer to “itself” than that of any other different regional cultures around the world. Nowadays, under cultural globalization, it is expected to regard the speculation and differentiation for cultural-related issues as a kind of comprehension about oneself as well as global culture, and at the same time, the reflection and interpretation about oriental and occidental philosophical systems. Due to diversified deductions for contemporary artistic thoughts, the endless expansion of information, knowledge and theories were formed. And it is evident that owing to the process of unceasingly collisions and surges within global culture, a series of different cultural patterns and artistic types were exhibited. For this reason, I wish to confront “arts” under the premise of chronic self-inspection and spiritual investment, and through observation, inspiration, and speculation. Therefore, the connection amid nature, humanity, and mind were studied as thoroughly as possible. Base on the content of this thesis, relevant subjects and research methods were individually and specifically discussed. Firstly, according to the research of cultural anthropology, related artistic discourses and interpretations were extracted and expounded, and by this systematic research, it is expected to benefit the overall thoughts derived from mind and soul, within artistic exploration. Then it bridged the existing foundation laid by predecessors and the sages alike, and serves as the extension for future spiritual orientation as well as the artistic exploration. Secondly, regarding epochal cultural, historical, philosophical, aesthetical and artistic capacities, they were dealt with in-depth researches actively. Thirdly, comprehensive understandings and rectifications were made against issues such a